ID: 87

This residential building with shops (1908–1909, architect — Volodymyr Pidhorodetskyi) is a work of Late Historicism (Neobaroque). Its interiors preserve their original stucco ornamentation. It serves as a striking example of the use of Neobaroque forms in late 1900s architecture and represents one of the finest instances of Late Historicism featuring lightly interpreted Baroque motifs.

Lviv Central Railway Station building (1901–1904, architect Władysław Sadłowski — general design; Alfred Zachariewicz and Tadeusz Obmiński — interiors; engineering group led by Ludwik Wierzbicki — structural engineering; 1921–1922 — addition of the second floor; 1946–1951 — reconstruction with interior renovation). The architectural style is Secessionist with Neorenaissance elements. The train shed was designed by a group of railway engineers led by L. Wierzbicki; in 1946 — reconstructed; 2000–2001 — restored). The Lviv main station complex stands as a prime example of a monumental architectural structure designed at the turn of the twentieth century.

The Cathedral is the only object of Gothic architecture in Lviv, preserved in its integrity. Its tower, along with the City Hall, the Kornyakt tower, and the bell tower of the former Bernardine church are symbols of the city, dominating in the panorama of its central part.
At present this is the Roman Catholic Arch-Cathedral of the Assumption of the Blessed Virgin Mary, also known as the Metropolitan Basilica, an architectural monument of national significance (protection number 316/0).

A Neo-Gothic church, noted for its high towers and pointed spires, is one of  Lviv's trademarks. It  was designed by architect Teodor Talowski. Well-known architects, sculptors and painters took part in the construction of this church. According to the resolution of the Lviv regional executive committee number 130 dated 26 February 1980, the church was entered into the local register of monuments under protection number 146. In 1991 the church was handed over to the local Greek Catholic community.

The former Poor Clares Convent Church is the most prominent accent of the lower vul. Lychakivska development. Built in 1607 (architects Bernard Avelides and Paweł Rzymianin) , its interior was decorated in the 1760s. During 1938–1939, restoration with partial reconstruction was carried out (architect Antoni Lobos). The architectural design of the church's exterior combines Renaissance, Baroque, and Art Deco forms. Today, it houses the Johann Georg Pinsel Museum, a department of the Lviv National Art Gallery.

The Lviv State Academic Opera and Ballet Theater was built in 1897–1900 under a project designed by architect Zygmunt Gorgolewski. The building is erected in historicist style and influenced by the so-called Vienna Neo-Renaissance. The monumental theater building has occupied a key position in the architectural ensemble of the city's main avenue created in the late 19^th – early 20^th century.

The monument to the national Polish poet was opened on 30 October 1904. Its construction was carried out from late 1903 under the supervision of Alfred Zachariewicz and Józef Sosnowski. The author of the project, who won an architectural competition, was Antoni Popiel, a famous sculptor. Earlier, there was a figure of the Virgin Mary on its place.