Pl. Rynok, 01 – The City Hall building
ID:
291
The current building of the Lviv city hall was built in the years 1827-1835. The project was designed by architects Alois Wondraszka, Jerzy Glogowski, Joseph Markl, and Franz Trescher. In 1849-1851, after a fire, a reconstruction was carried out under a project by Johann Salzmann. The massive building is situated at the center of the Rynok square; it has four symmetrical Neo-Classicist façades. Its tower, which is square in plan, belongs to the most noticeable accents of Lviv’s architectural panorama and is one of the visual symbols of the city. The style of the building can be considered a typical one for the Austrian administration buildings of the 1830-1840s. The city hall is the administrative center of the city, the Lviv City Council is located there.
Architecture
The Lviv city hall, built in 1827-1835, stands on the place of its predecessor, the old town hall which was constructed in the late medieval and early modern times and occupied the southern part of the new building’s plot. The northern part of the plot was composed of the parcels where the former "mid-Rynok" houses had stood.
The new city hall building was designed as a separate one freely located in the center of the Rynok square. Its massive structure dominates over the historical housing of the square, time and again provoking criticism. For example, Franciszek Jaworski wrote about the city hall as "an ugly quadrangle with a tower in the shape of a chimney… first of all the Lviv city hall weighed upon the very Rynok square which suddenly felt short of breath…" (Jaworski, 1907, 78).
The building has four stories; mansard premises were later arranged under the roof. The structure was given the form of a correct rectangle in plan, its dimensions are 78x58 m on the perimeter (Jaworski, 1907, 78). The prismatic body of the building has four symmetrical façades with some décor in the Neo-Classicist style. The façades are divided by cornices arranged over the first and third stories, horizontal division prevailing in the composition. There are rows of pilasters on the southern avant-corps. The second floor windows are marked out by triangular pediments and by semicircular endings on the pilaster sides and on the avant-corps. The tower and the façades on the level of the first floor are designed with stone. The ascetic décor of the late Neo-Classicist style, which is typical for the Austrian administrative buildings of the 1830-1840s, is used in the decoration.
The role of the southern façade as the main one is accentuated by the avant-corps projection with the assembly hall big windows, which have rounded endings, and a triangular pediment. The avant-corps leans on a portico with an arcade; the main entrance portal is situated underneath. In front of the arcade, the entrance is flanked with sculptures of lions with shields made by Yevhen Dzyndra. On the western façade, a portico projects ending with a balcony terrace on the level of the second floor.
A three-tier 65-meter-tall tower (Jaworski, 1907, 78) is added to the western tract of the city hall building; it is square in plan and has a clock installed on the upper tier. An observation terrace is arranged on the top of the tower, interior stairs leading to it.
There is a closed rectangular courtyard in the center of the building, surrounded by the four tracts of the building's body; it has the tower projection in the west, a block of the entrance stoop and the main staircase in the south, and an entrance through the gate of the northern façade.
As Franciszek Jaworski reports, there were "156 rooms and 9 bigger halls" in the new city hall in 1835. Some interior reconstructions were made later, but, in general, the planning of the mid-nineteenth century has been preserved. Long linked corridors, which are made in the building's body parallel to the perimeter, provide cyclic communication on each floor. Various offices and other premises are situated in rows along the corridors. The central staircase, which adjoins the entrance stoop, is arranged in the southern block. Two auxiliary staircases are located in the western and eastern blocks.
The planning structure of the Lviv city hall is typical for the administrative buildings of the nineteenth century. The most important functionally rooms, such as the great assembly hall, the mayor's office and offices of the groups represented in the City Council, are located on the second floor.
The new city hall building was designed as a separate one freely located in the center of the Rynok square. Its massive structure dominates over the historical housing of the square, time and again provoking criticism. For example, Franciszek Jaworski wrote about the city hall as "an ugly quadrangle with a tower in the shape of a chimney… first of all the Lviv city hall weighed upon the very Rynok square which suddenly felt short of breath…" (Jaworski, 1907, 78).
The building has four stories; mansard premises were later arranged under the roof. The structure was given the form of a correct rectangle in plan, its dimensions are 78x58 m on the perimeter (Jaworski, 1907, 78). The prismatic body of the building has four symmetrical façades with some décor in the Neo-Classicist style. The façades are divided by cornices arranged over the first and third stories, horizontal division prevailing in the composition. There are rows of pilasters on the southern avant-corps. The second floor windows are marked out by triangular pediments and by semicircular endings on the pilaster sides and on the avant-corps. The tower and the façades on the level of the first floor are designed with stone. The ascetic décor of the late Neo-Classicist style, which is typical for the Austrian administrative buildings of the 1830-1840s, is used in the decoration.
The role of the southern façade as the main one is accentuated by the avant-corps projection with the assembly hall big windows, which have rounded endings, and a triangular pediment. The avant-corps leans on a portico with an arcade; the main entrance portal is situated underneath. In front of the arcade, the entrance is flanked with sculptures of lions with shields made by Yevhen Dzyndra. On the western façade, a portico projects ending with a balcony terrace on the level of the second floor.
A three-tier 65-meter-tall tower (Jaworski, 1907, 78) is added to the western tract of the city hall building; it is square in plan and has a clock installed on the upper tier. An observation terrace is arranged on the top of the tower, interior stairs leading to it.
There is a closed rectangular courtyard in the center of the building, surrounded by the four tracts of the building's body; it has the tower projection in the west, a block of the entrance stoop and the main staircase in the south, and an entrance through the gate of the northern façade.
As Franciszek Jaworski reports, there were "156 rooms and 9 bigger halls" in the new city hall in 1835. Some interior reconstructions were made later, but, in general, the planning of the mid-nineteenth century has been preserved. Long linked corridors, which are made in the building's body parallel to the perimeter, provide cyclic communication on each floor. Various offices and other premises are situated in rows along the corridors. The central staircase, which adjoins the entrance stoop, is arranged in the southern block. Two auxiliary staircases are located in the western and eastern blocks.
The planning structure of the Lviv city hall is typical for the administrative buildings of the nineteenth century. The most important functionally rooms, such as the great assembly hall, the mayor's office and offices of the groups represented in the City Council, are located on the second floor.
Personalities
-
Leonard Marconi
–
Leonard Marconi was a sculptor and building decorator, professor at the Higher Technical School in Lviv.
-
Godzimir Małachowski
–
Polish lawyer, politician, Deputy of Halychyna Parliament and the Austrian Parliament, President of Lviv (1896-1905).
-
Florian Ziemiałkowski
–
Polish politician and Austrian statesman, President of Lviv, lawyer.
- Władysław Stesłowicz – Polish politician, public figure, economist. Government commisioner of Lviv in 1918-1919.
- Vyacheslav Sekretariuk – Soviet and Ukrainian politician, Communist, economist. Chairman of the Executive Committee of the Lviv City Council of People's Deputies in 1975-1980.
-
Józef Sermak
–
Józef Sermak (appr. 1834-1874) was born in Lviv and studied law at the Francis I University. He worked as a lawyer in Przemyśl and, from 1867, in Lviv, where he also became a member of the City Council and many societies. In 1865-1874, he collaborated with conservator Mieczysław Potocki as a correspondent of the Central Commission for the Protection of Monuments.
Alois Wondraszka – an architect, a co-author of the city hall project.
Andreas Bemer – a constructor who built the Gothic tower of the old Lviv town hall in the early seventeenth century.
Anton Marischler – a co-author of the 1820s city hall project.
Anton Steinkeller – a co-author of the 1820s city hall project.
Wilhelm Schmidt – an architect.
Wilhelm Friedrich von Hammerstein – a general who commanded the bombardment of Lviv by the Austrian army on 2 November 1848.
Yevhen Dzyndra – a sculptor, the author of the lions at the central entrance to the city hall.
Jerzy Glogowski – an architect, a co-author of the city hall project.
Johann Salzmann – an architect, a Lviv town construction inspector.
Józef Markl – a Lviv architect who was engaged in the construction of the city hall.
Marcin Kampian – a Lviv burgomaster.
Fr. Christan – a co-author of the 1820s city hall project.
Franz Trescher – an architect, a co-author of the city hall project.
Andreas Bemer – a constructor who built the Gothic tower of the old Lviv town hall in the early seventeenth century.
Anton Marischler – a co-author of the 1820s city hall project.
Anton Steinkeller – a co-author of the 1820s city hall project.
Wilhelm Schmidt – an architect.
Wilhelm Friedrich von Hammerstein – a general who commanded the bombardment of Lviv by the Austrian army on 2 November 1848.
Yevhen Dzyndra – a sculptor, the author of the lions at the central entrance to the city hall.
Jerzy Glogowski – an architect, a co-author of the city hall project.
Johann Salzmann – an architect, a Lviv town construction inspector.
Józef Markl – a Lviv architect who was engaged in the construction of the city hall.
Marcin Kampian – a Lviv burgomaster.
Fr. Christan – a co-author of the 1820s city hall project.
Franz Trescher – an architect, a co-author of the city hall project.
Organizations
Sources
1. State
Archive of Lviv Oblast (DALO). Item 2/4/1154.
2. Central State Historical Archive of Ukraine in Lviv (CDIAL). Item 742/1/1414.
3. CDIAL. Item 742/1/1416.
4. CDIAL. Item 742/1/1417.
5. CDIAL. Item 742/1/1418.
6. CDIAL. Item 742/1/1422.
7. CDIAL. Item 742/1/1423.
8. CDIAL. Item 742/1/1424.
9. CDIAL. Item 742/1/1426.
10. CDIAL. Item 742/1/1427.
11. Franciszek Jaworski, Ratusz lwowski: Z 21 rycinami w tekscie (Lwów, 1907, reprint 1990) [Biblioteka Lwowska, t. 1].
12. Tadeusz Mańkowski, Początki nowożytnego Lwowa w architekturze (Lwów, 1923).
13. Władysław Łoziński, Sztuka lwowska w XVI s XVII wieku: Architektura i rzeźba (Lwόw: Księgarnia Altenberga, 1901).
2. Central State Historical Archive of Ukraine in Lviv (CDIAL). Item 742/1/1414.
3. CDIAL. Item 742/1/1416.
4. CDIAL. Item 742/1/1417.
5. CDIAL. Item 742/1/1418.
6. CDIAL. Item 742/1/1422.
7. CDIAL. Item 742/1/1423.
8. CDIAL. Item 742/1/1424.
9. CDIAL. Item 742/1/1426.
10. CDIAL. Item 742/1/1427.
11. Franciszek Jaworski, Ratusz lwowski: Z 21 rycinami w tekscie (Lwów, 1907, reprint 1990) [Biblioteka Lwowska, t. 1].
12. Tadeusz Mańkowski, Początki nowożytnego Lwowa w architekturze (Lwów, 1923).
13. Władysław Łoziński, Sztuka lwowska w XVI s XVII wieku: Architektura i rzeźba (Lwόw: Księgarnia Altenberga, 1901).
14. Володимир Вуйцик, Державний історико-архітектурний заповідник у Львові (Львів: Каменяр, 1991).
15. Мирон Капраль, Національні громади Львова XVI–XVIII ст.: соціально-правові взаємини (Львів: Піраміда, 2003).
15. Мирон Капраль, Національні громади Львова XVI–XVIII ст.: соціально-правові взаємини (Львів: Піраміда, 2003).
By Ihor Zhuk.
Edited by Yulia Pavlyshyn
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