St. Mary Magdalene Roman Catholic Church (presently the Organ Music Hall). The church was constructed on an elevation far from the Lviv center, in the district of the former southwestern suburb. 

Cathedral of the Assumption of the Blessed Virgin Mary of the Armenian Apostolic Church. In the architecture of the Armenian Cathedral of Lviv, the traditional forms borrowed from Armenia (the composition of the central building is modeled after the temple in Ani) are combined with Renaissance motives (the nave and the archway), Baroque elements (the sculpture on the exterior) and Revival features (the façade from Krakivska Street). The cathedral was built in the northern part of old Lviv, in the Armenian section. It is the main component of the architectural ensemble of Virmenska Street. The chronicle of construction, that stretched over hundreds of years, includes several periods: 1356-1363 (by the architect Doring with the participation of local masters), the fifteenth century (side apses), 1437 (erection of the archway), 1630 (the nave by the architect A. Kellar), 1723-1726 (interior remodeling), 1908 (façade from Krakivska Street by the architect Ph. Mączyński), 1908-1920 (restoration) and 1925 (restoration).   

This four-story residential stone house, which was built in the late seventeenth century, is an element of the former Armenian quarter housing. The house is a part of the old Armenian vicar’s residence; an Armenian “pious” bank named Mons Pius was situated there till 1940. Now this is an architectural and urban planning monument of national significance under protection number 1289. A restaurant with a museum exposition dedicated to the Armenians of Lviv and restaurant business has been opened in the ground floor premises of the house.

This four-story apartment building trapeze-shaped layout (1914-1916 (?); architect Jan Bagenski and builder Wojciech Dembinski) consists of a front section and two wings built with a deviation from the street regulation line. The massive body of a building is covered with a high roof. A heavy pediment is constructed over the central part of the façade; the wings are decorated with small towers and balcony loggias. The portal and the staircase are arranged in the center; the inner floor plan is of a section type. This is an example of the early twentieth-century Neoclassicism.