Vul. Staroyevreiska, 10 – former "Harayevychivska" house
ID:
251
Harayevychivska stone manor house is one of Lviv’s central town characteristic renaissance era masonry buildings, preserving architectural elements of the period. During its existence it has change ownership repeatedly and undergone numerous reconstructions altering its appearance. Jewish families owned the building from the 19th century, putting its ground floor to use as a store and pub. During the soviet period the house was used as a residence, a purpose which it maintains.
The building is a registered national urban architectural landmark – the decision taken by the 442nd session of the Ukrainian Soviet Republic Council of Ministers on 6 September 1979, Decree No. 1296.
The building is a registered national urban architectural landmark – the decision taken by the 442nd session of the Ukrainian Soviet Republic Council of Ministers on 6 September 1979, Decree No. 1296.
Architecture
The Havrayevychivska House is located on a lot from the medieval block on a back street at the northern end of Rynok Square. It is bounded by Staroyevreyska, Serbska, Brativ Rohatyntsiv, and Halytskoho Streets, fitting organically into the construction ensemble on Staroyevreyska Street. It is built in the 17th century on the foundation and cellar fragments of the preserved 15th century gothic house that stood there. It was rebuilt a number of times throughout its history, in particular at the end of the 18th century with the reconfiguring of the main floor, and the installation in the first section of a stairway. The arrangement of the façade reflects its 17th-19th century existence.
The house is elongated and constructed of brick (late-gothic masonry) on a stone foundation with the inclusion of white stone elements (main entrance portal, relief window framing, the preservation of the white stone gates in the cellar, carved renaissance pillars, etc.) The house is triple-bayed with the customary asymmetrical three-windowed façade and internal courtyard. On its edges the façade is highlighted with squared rustic blocks, and the main floor façade done in French rustic. The windows are rectangular with decorations in relief and right-angled framing and vase decorations on the second floor. In the frieze are three dormer windows. A high cornice tops the façade ensemble. The main entrance is accented with a white stone renaissance portal with recessed lighting. The main doors are wooden, windowed, routered and fitted with wrought-iron lattices with the initials RL in lozenges.
The interior floorplan - double-bayed; remnants of the hypocaust; main floor (originally the front room of the gate and passageway with front stairs) – has been redone. In the first section, the reconfigured area holds the larder (originally, a gate/passage), with cylindrical arch ceilings, halls, rooms, and stairs (originally a main room, separated with brick partitions.) The staircases have chiseled wooden balusters and skylights. In the second section, residence #1 (formerly the rear room) has a narrow passage to the yard with an overhang above. In halls in the east wing fragments of renaissance white stone décor – pine cones, a fertility symbol – are preserved. The home is a common example of the type of residences built in the XVI-XVII centuries.
The house is elongated and constructed of brick (late-gothic masonry) on a stone foundation with the inclusion of white stone elements (main entrance portal, relief window framing, the preservation of the white stone gates in the cellar, carved renaissance pillars, etc.) The house is triple-bayed with the customary asymmetrical three-windowed façade and internal courtyard. On its edges the façade is highlighted with squared rustic blocks, and the main floor façade done in French rustic. The windows are rectangular with decorations in relief and right-angled framing and vase decorations on the second floor. In the frieze are three dormer windows. A high cornice tops the façade ensemble. The main entrance is accented with a white stone renaissance portal with recessed lighting. The main doors are wooden, windowed, routered and fitted with wrought-iron lattices with the initials RL in lozenges.
The interior floorplan - double-bayed; remnants of the hypocaust; main floor (originally the front room of the gate and passageway with front stairs) – has been redone. In the first section, the reconfigured area holds the larder (originally, a gate/passage), with cylindrical arch ceilings, halls, rooms, and stairs (originally a main room, separated with brick partitions.) The staircases have chiseled wooden balusters and skylights. In the second section, residence #1 (formerly the rear room) has a narrow passage to the yard with an overhang above. In halls in the east wing fragments of renaissance white stone décor – pine cones, a fertility symbol – are preserved. The home is a common example of the type of residences built in the XVI-XVII centuries.
Personalities
Abram Awin – owner of a salon on the first floor of the home.
Ihor Ambitskyi – architect, restorer Ukrzakhidproektstavratsia Institute, led building assessment in 1990.
Lej Baczys – furrier, resided in the manor
Dwora Berlstein – manor owner
Samuel Hirsch Berlstein – salon owner in the manor
Laura Blic – owner of jewelry store in the manor
Władysław Blaim – engineer, designer
Leopold Warchałowski – contractor
Albert Harayovych – merchant who built the Harayevychivska Renaissance-era house
B.S. Hiffnik – main floor tenant
J.B. Gimpel – Director of the Jewish Theater, manor resident
Bedros Lissohorycz – Armenian bootmaker, manor owner in 1767
Mieczyslaw Loziński - architect
Naftali – owner of honey shop on the manor main floor in 1863
Abram-Josel Railses – manor owner
Isaak Rudy – owner of the manor following World War I
Stefan – pub frequenter
Lejb Finkler – manor owner
Owadia Finkler – manor owner
Simche Fruks – tailor who resided in the manor
Jakub Zwilling – contractor who built the third-floor lavatory
Leon Schlafrig – main floor tenant who ran the “Tip Top”milliner’s shop.
Ihor Ambitskyi – architect, restorer Ukrzakhidproektstavratsia Institute, led building assessment in 1990.
Lej Baczys – furrier, resided in the manor
Dwora Berlstein – manor owner
Samuel Hirsch Berlstein – salon owner in the manor
Laura Blic – owner of jewelry store in the manor
Władysław Blaim – engineer, designer
Leopold Warchałowski – contractor
Albert Harayovych – merchant who built the Harayevychivska Renaissance-era house
B.S. Hiffnik – main floor tenant
J.B. Gimpel – Director of the Jewish Theater, manor resident
Bedros Lissohorycz – Armenian bootmaker, manor owner in 1767
Mieczyslaw Loziński - architect
Naftali – owner of honey shop on the manor main floor in 1863
Abram-Josel Railses – manor owner
Isaak Rudy – owner of the manor following World War I
Stefan – pub frequenter
Lejb Finkler – manor owner
Owadia Finkler – manor owner
Simche Fruks – tailor who resided in the manor
Jakub Zwilling – contractor who built the third-floor lavatory
Leon Schlafrig – main floor tenant who ran the “Tip Top”milliner’s shop.
Sources
- Księga adresowa król. stoł. miasta Lwowa (Lwów, 1902).
- Skorowidz nowych i dawnych numerów realności (Lwów, 1872).
- Ukrzakhidproetrestavratsia Institute archives, 252 (Architectural, archaeological assessments. Preliminary studies, project proposals).
- Lviv Oblast State Archives 2/3/135 (construction of stone manor #10 on Staroyevreyska Street)
- Central Lviv State Historical Archives 186/8/829 (Lviv Survey Map, 1849)
- B. Melnyk, N. Shestakova – Naming Lviv’s Manors with City Almanacs (Lviv, 2008, #12).
- V. Vuitsyk, Construction Movement in Lviv in the late-18th century. T.CCXLI (Lviv, 2001), pp113-125.
- M. Kapral, Native Communities of Lviv, XVI-XVIII centuries. (Lviv: Pyramida, 2003).
- Urban Construction and Architectural Landmarks, Book 3. (Kyiv: Budyvelnyk, 1985), p.40.
- T. Tregubova, Research on the Planning, Development, and Construction of Lviv’s Medieval Quarter (Kyiv, 1970)
By Oksana Boyko and Vasyl Slobodyan