Vul. Khmelnytskoho, 036 – the bell tower of St. Onuphrius Church
ID:
175
The St. Onuphrius church belfry is an integral part of the monastery complex situated in the oldest part of the city, existing since the times of the Principality of Galicia-Volhynia, where it plays the dominant role. The church is one of the oldest monastery churches; it is associated with well-known historical persons (a prince of Moldavia), clerics, members of the Lviv Stauropegion brotherhood, noted architects (Franz Trescher, Edgar Kováts), sculptors, carvers (Andriy Koverko), painters (Luka Dolynsky, Marcin Jabłonski, Modest Sosenko), printing pioneer Ivan Fedorovych (Fedorov). Some prominent figures of the sixteenth-eighteenth centuries from Lviv and Ukraine are buried in the church and near it.
According to the resolution of the Council of Ministers of the Ukrainian SSR number 970 dated 24 August 1963, the St. Onuphrius church belfry was entered in the National list of monuments under protection number 364/3.
According to the resolution of the Council of Ministers of the Ukrainian SSR number 970 dated 24 August 1963, the St. Onuphrius church belfry was entered in the National list of monuments under protection number 364/3.
Architecture
The belfry is situated to the north from the historical center, in the oldest part of the city existing since the times of the Principality of Galicia-Volhynia, on the undercut western slope of the Zamkova (Castle) mountain. Being a part of the monastery buildings complex, it is located on the central axis of the church and serves as the main entrance to the monastery courtyard. The two-tier building of the monastery adjoins its southern façade. The belfry is situated within the limits of the historical area and the UNESCO zone, being one of the dominants of the oldest, “princely” part of the city.
The belfry is located on the same axis with the church. The main entrance to the monastery courtyard leads through the wide arch of the belfry. The two-tier building of the monastery adjoins the belfry from the south. The four-tier structure is square in plan and is covered with a hipped roof which has a little dome and a cross. A table with the construction date “РОКУ БЖІА АѠК” is built into the main façade over the passage; conch niches with paintings depicting SS. Anthony and Theodosius of the Caves are located on both sides of the gate. Painted depictions of the Christ Pantocrator and of an angel are placed in semicircular niches decorated with archivolts. The fourth tier has resonators in the form of semicircular openings, decorated with archivolts and glassed at present; a balcony, which leans on three stone consoles and has a metal railing, is arranged on the western façade facing the street. Double-flight main stairs lead from the street to the tower; they have a niche, or a grotto, where a statue of St. Onuphrius stood earlier. The courtyard (eastern) façade also has windows with semicircular lintels and a flat niche on the third tier which has no paintings now. The northern façade has a semicircular projection with stairs, reaching up to the third tier. The passage is bridged with a cross vault. The door in the northern part of the passage leads to the stairs while the door in the southern part leads to the cellars under the cells.
The belfry is located on the same axis with the church. The main entrance to the monastery courtyard leads through the wide arch of the belfry. The two-tier building of the monastery adjoins the belfry from the south. The four-tier structure is square in plan and is covered with a hipped roof which has a little dome and a cross. A table with the construction date “РОКУ БЖІА АѠК” is built into the main façade over the passage; conch niches with paintings depicting SS. Anthony and Theodosius of the Caves are located on both sides of the gate. Painted depictions of the Christ Pantocrator and of an angel are placed in semicircular niches decorated with archivolts. The fourth tier has resonators in the form of semicircular openings, decorated with archivolts and glassed at present; a balcony, which leans on three stone consoles and has a metal railing, is arranged on the western façade facing the street. Double-flight main stairs lead from the street to the tower; they have a niche, or a grotto, where a statue of St. Onuphrius stood earlier. The courtyard (eastern) façade also has windows with semicircular lintels and a flat niche on the third tier which has no paintings now. The northern façade has a semicircular projection with stairs, reaching up to the third tier. The passage is bridged with a cross vault. The door in the northern part of the passage leads to the stairs while the door in the southern part leads to the cellars under the cells.
Related Places
Description
Vul. Kopernyka – monument to the First Printers by the Book Museum
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Description
Vul. Khmelnytskoho, 036 – The St. Onuphrius Church of the Basilian Monastery
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Personalities
Andriy Koverko – a carver.
Arseniy Radkevych – a father superior of the monastery.
Edgar Kováts – an architect.
Ivan Fedorovych (Fedorov) – a printing pioneer who published two books, Apostol (The Apostle) and Bukvar (The Primer), in Lviv; buried in the church.
Krzysztof Riedl – a metalworker who made a metal balcony on the last tier of the tower.
Lev Danylovych, or Leo I – a prince of Galicia.
Luka Dolynsky – a painter who painted an icon of Jesus Christ on the façade using the al fresco technique and icons of SS. Basil, Anthony and Theodosius of the Caves, and Josaphat on the tower.
Marian Maksymovych – a provincial; due to his efforts the paintings of Luka Dolynsky on the belfry were renewed in 1855.
Marcin Jabłoński – a painter.
Matviy Fedorovych – “the one in charge of the church” of the Lviv Stauropegian Brotherhood.
Modest Hrynevetsky – a father superior of the monastery.
Modest Sosenko – a painter.
Panteleimon Sias – a bricklayer’s mate who lifted and mounted the cross on the top of the tower all by himself, according to an old tradition.
Tomasz Nedzwiedzki – a tinsmith who bound the top of the tower with white tin.
Franz Trescher – an architect.
Franz Trescher Jr. – an architect.
Arseniy Radkevych – a father superior of the monastery.
Edgar Kováts – an architect.
Ivan Fedorovych (Fedorov) – a printing pioneer who published two books, Apostol (The Apostle) and Bukvar (The Primer), in Lviv; buried in the church.
Krzysztof Riedl – a metalworker who made a metal balcony on the last tier of the tower.
Lev Danylovych, or Leo I – a prince of Galicia.
Luka Dolynsky – a painter who painted an icon of Jesus Christ on the façade using the al fresco technique and icons of SS. Basil, Anthony and Theodosius of the Caves, and Josaphat on the tower.
Marian Maksymovych – a provincial; due to his efforts the paintings of Luka Dolynsky on the belfry were renewed in 1855.
Marcin Jabłoński – a painter.
Matviy Fedorovych – “the one in charge of the church” of the Lviv Stauropegian Brotherhood.
Modest Hrynevetsky – a father superior of the monastery.
Modest Sosenko – a painter.
Panteleimon Sias – a bricklayer’s mate who lifted and mounted the cross on the top of the tower all by himself, according to an old tradition.
Tomasz Nedzwiedzki – a tinsmith who bound the top of the tower with white tin.
Franz Trescher – an architect.
Franz Trescher Jr. – an architect.
Sources
1. Gazeta
Lwowska, 1812, Dodatek N 57.
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4. Львівський історичний музей. Акварель А. Каменобродського, кін. ХІХ – поч. ХХ ст.
5. Палац мистецтв ім. Антоновичів ЛНБ ім. В. Стефаника НАН України. Проект дзвіниці Ф. Трешера, 1820 рік.
6. Приватний архів В. Ольхом’яка, Львів, фото церкви 1984 р.
7. Центральний державний історичний архів у Львові (ЦДІАЛ) 186/8/829 (Кадастрова карта Львова 1849 р.).
8. Архітектура Львова. Час і стилі ХІІІ–ХХІ ст. (Львів: Центр Європи, 2008), 199.
9. В. Вуйцик, Дзвіниця церкви Святого Онуфрія Василиянського монастиря у Львові, Вісник інституту Укрзахідпроектреставрація, 2004, Ч. 14, 60-63.
10. В. Вуйцик, Монастир Святого Онуфрія у Львові, Вісник Інституту Укрзахідпроектреставрація, 2004, Ч. 14, 48-59.
11. В. Зіморович, Потрійний Львів (Львів: Центр Європи, 2004).
12. Д. Зубрицький, Хроніка міста Львова (Львів: Центр Європи, 2006).
13. Каталог гравюр XVII–XX ст. з фондів ЛНБ ім. В. Стефаника АН УРСР (архітектура Львова) (Київ: Наукова думка, 1989).
14. Памятники градостроительства и архитектуры Украинской ССР, Т. 3 (Киев: Будивельнык, 1985), 86-87.
2. Instytut Historyi Sztuki UJ, фото Ф. Яворського, 1916 р.
3. ЛНБ ім. В. Стефаника НАН України, Відділ рукописів, ф. Монастирі василиянські.
4. Львівський історичний музей. Акварель А. Каменобродського, кін. ХІХ – поч. ХХ ст.
5. Палац мистецтв ім. Антоновичів ЛНБ ім. В. Стефаника НАН України. Проект дзвіниці Ф. Трешера, 1820 рік.
6. Приватний архів В. Ольхом’яка, Львів, фото церкви 1984 р.
7. Центральний державний історичний архів у Львові (ЦДІАЛ) 186/8/829 (Кадастрова карта Львова 1849 р.).
8. Архітектура Львова. Час і стилі ХІІІ–ХХІ ст. (Львів: Центр Європи, 2008), 199.
9. В. Вуйцик, Дзвіниця церкви Святого Онуфрія Василиянського монастиря у Львові, Вісник інституту Укрзахідпроектреставрація, 2004, Ч. 14, 60-63.
10. В. Вуйцик, Монастир Святого Онуфрія у Львові, Вісник Інституту Укрзахідпроектреставрація, 2004, Ч. 14, 48-59.
11. В. Зіморович, Потрійний Львів (Львів: Центр Європи, 2004).
12. Д. Зубрицький, Хроніка міста Львова (Львів: Центр Європи, 2006).
13. Каталог гравюр XVII–XX ст. з фондів ЛНБ ім. В. Стефаника АН УРСР (архітектура Львова) (Київ: Наукова думка, 1989).
14. Памятники градостроительства и архитектуры Украинской ССР, Т. 3 (Киев: Будивельнык, 1985), 86-87.
Material compiled by Oksana Boyko and Vasyl Slobodyan
Edited by Yulia Pavlyshyn
Edited by Yulia Pavlyshyn
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